Live & Event
Concert versions of tracks
Section titled “Concert versions of tracks”Preparing material for live performances. A track that sounds great in headphones does not always work on stage. We adapt arrangements for the concert format.
Differences between studio and concert versions
Section titled “Differences between studio and concert versions”| Aspect | Studio version | Concert version |
|---|---|---|
| Dynamics | Subtle, detailed | Stronger hits, more legible |
| Structure | Can be complex | Simplified, predictable |
| Intro/outro | Flexible | Adapted for walking on/off stage |
| Transitions | Smooth crossfades | Clear cuts or breakdowns |
Backing tracks
Section titled “Backing tracks”We prepare backing tracks for artists performing to playback:
- Stereo mix — simple L/R backing for small events
- Multitrack — separate tracks for live mixing (drums, bass, synths, FX)
- Click track — metronome for the drummer/DJ, inaudible to the audience
- Cue track — signals for the band (countdowns, entry cues)
Structure for live
Section titled “Structure for live”- Extended intro allowing tension to build
- Breakdown before the drop for audience interaction
- Outro with the option to extend or end quickly
Autotune Live
Section titled “Autotune Live”Professional real-time pitch correction setup for live performance.
How does Autotune Live work?
Section titled “How does Autotune Live work?”Autotune analyzes pitch in real time and corrects it to the nearest note in the chosen scale. We set the parameters so that the effect is natural and supports the performer without dominating the voice.
Configuration parameters
Section titled “Configuration parameters”| Parameter | Function | Typical setting |
|---|---|---|
| Key/Scale | Song key | C minor, A major, etc. |
| Retune Speed | Correction speed | 20-50ms (natural), <10ms (T-Pain effect) |
| Humanize | Preserving natural variation | 50-70% |
| Flex-Tune | Tolerance for in-tune notes | 30-50% |
Autotune Live equipment
Section titled “Autotune Live equipment”We configure:
- Antares Auto-Tune (hardware or plugin)
- TC-Helicon (vocal processors)
- Waves Tune Real-Time (plugin)
Before the concert
Section titled “Before the concert”- We establish the setlist and the key of each song
- We program presets for each track
- We test with the artist at rehearsal
- We prepare a backup (second processor or plugin)
Event sound reinforcement
Section titled “Event sound reinforcement”Comprehensive technical support for events — from small gatherings to concerts.
Stages of collaboration
Section titled “Stages of collaboration”- Consultation — we determine the scale of the event, location, and requirements
- Site visit — we check the acoustics of the space, power access, and logistics
- System design — we select equipment appropriate to the needs
- Setup — we arrive early, install, and test
- Soundcheck — tuning the system, rehearsal with performers
- Show — operation during the event
- Tear-down — packing and transport of equipment
Event scale
Section titled “Event scale”| Size | Audience | Typical equipment |
|---|---|---|
| Intimate | up to 50 | Active speakers, small mixer |
| Medium | 50-200 | Line array, subwoofers, digital mixer |
| Large | 200-1000 | Professional line array, monitor system |
| Festival | 1000+ | Collaboration with a sound reinforcement company |
Event types
Section titled “Event types”- Concerts — full FOH + monitor operation
- Conferences — speech clarity, presentations
- Corporate events — music + speeches
- Weddings and private events — discreet operation
- Theater productions — precise cue list
Session and event streaming
Section titled “Session and event streaming”Professional live broadcasting with high audio quality.
How does a streaming mix differ from FOH?
Section titled “How does a streaming mix differ from FOH?”The streaming mix (broadcast mix) is a separate blend, independent of what the on-site audience hears:
| Aspect | FOH mix | Stream mix |
|---|---|---|
| Room | The venue adds natural reverb | Must sound good “dry” |
| Audience | Hears the atmosphere | Does not hear applause (unless added) |
| Dynamics | Can be loud | Limited by codecs |
| Imaging | Mono PA | Full stereo |
Platforms
Section titled “Platforms”- YouTube Live
- Twitch
- Facebook Live
- Instagram Live
- LinkedIn Events
- Custom platforms (RTMP)
Streaming setup
Section titled “Streaming setup”- Hardware or software encoder
- Dedicated audio interface for the stream
- Backup internet connection (4G/5G router)
- Real-time stream monitoring
Archive
Section titled “Archive”We always record locally in high quality (WAV 48kHz/24bit + ProRes 422). Even if the stream drops, you have material for post-event publication.
On-set film sound
Section titled “On-set film sound”Production sound for films, commercials, and other video projects.
Equipment
Section titled “Equipment”| Category | Gear |
|---|---|
| Boom | Sennheiser MKH 416, Rode NTG3 |
| Lavalier | Sennheiser MKE 2, DPA 4060 |
| Recorder | Sound Devices, Zoom F8n |
| Wireless | Sennheiser G4, Lectrosonics |
On-set workflow
Section titled “On-set workflow”- Pre-production — we read the script, determine needs
- Preparation — we test equipment, charge batteries
- Rehearsal — we establish boom positions, hidden microphones
- Recording — we monitor levels, report problems
- Backup — every take has a backup on the recorder
- Daily report — file list, metadata, notes
Challenges and solutions
Section titled “Challenges and solutions”| Problem | Solution |
|---|---|
| Environmental noise | Windshield, boom closer, lavalier |
| Room echo | Blankets, acoustic screens, ADR |
| Clothing rustle | Lavalier mounting, instructions for the actor |
| RF interference | Frequency coordination, wired backup |
Podcast production
Section titled “Podcast production”Comprehensive podcast production — from recording to a finished episode on platforms.
Podcast formats
Section titled “Podcast formats”| Format | Description | Requirements |
|---|---|---|
| Solo | One host | 1 microphone, simple |
| Interview | Host + guest | 2+ microphones, headphones for guest |
| Panel | Multiple participants | Multitrack recording, conference table |
| Narrative | Edited storytelling | Script, music, effects |
| Hybrid | Some participants remote | Multi-channel interface, Zoom/Riverside |
Production stages
Section titled “Production stages”-
Pre-production
- Determining format and structure
- Preparing questions/script
- Technical test with remote guests
-
Recording
- Microphone setup
- Multitrack recording (each voice separate)
- Recording backup
-
Post-production
- Editing (removing mistakes, pauses, filler words)
- Cleanup (noise reduction, de-esser)
- Level balancing between voices
- Adding intro/outro and music
- Mastering for streaming
-
Distribution
- Export in platform formats (MP3 128-320kbps)
- Metadata (title, description, tags)
- Upload to hosting (Anchor, Buzzsprout, Libsyn)
Audio branding for your podcast
Section titled “Audio branding for your podcast”See Audio branding
Frequently asked questions
Section titled “Frequently asked questions”How far in advance should I book sound reinforcement for an event?
Section titled “How far in advance should I book sound reinforcement for an event?”For large events, we recommend getting in touch at least 2-3 months ahead. For smaller events and club gigs, 2-4 weeks is usually enough.
Do you also handle lighting and staging?
Section titled “Do you also handle lighting and staging?”We collaborate with trusted partners for lighting, staging, and visuals. We can coordinate the entire technical production of your event.
Can I order just backing tracks without sound reinforcement?
Section titled “Can I order just backing tracks without sound reinforcement?”Yes. We prepare concert versions of tracks, backing tracks, click tracks, and cue tracks as a standalone service — just send us your studio material.
Will recordings from the stream be available after the broadcast ends?
Section titled “Will recordings from the stream be available after the broadcast ends?”We always record locally in high quality (WAV + ProRes). Even if the stream drops, you have the full material for later publication.
For whom?
Section titled “For whom?”- Artists and bands — you need concert versions of your tracks, backing tracks, or live sound engineering
- Event organizers — you are looking for comprehensive technical support from sound reinforcement to streaming
- Companies — you are planning a conference, gala, or corporate event with professional sound
- Filmmakers — you need production sound on set
- Podcasters — you want to record and produce a podcast at a professional level