Consulting & Training
Artistic Consultation
Section titled “Artistic Consultation”A session where we discuss your music project and help you define the direction of its development.
What Does a Consultation Look Like?
Section titled “What Does a Consultation Look Like?”- Listening to your material — we listen to your recordings (demos, drafts, finished tracks)
- Analysis — we identify strengths and areas for growth
- Discussion — we talk about your goals, references, and inspirations
- Recommendations — we suggest concrete next steps (production, mix, arrangement, lyrics)
What Can You Expect?
Section titled “What Can You Expect?”- Honest feedback, not just compliments
- Specific guidance, not generalities
- A market comparison — where you stand and where you can go
- A to-do list for the coming months
Who Is It For?
Section titled “Who Is It For?”- Artists at the start of their career looking for direction
- Creators preparing to record an album — is the material ready?
- Bands planning a change in sound
- Anyone who needs a professional, objective opinion
Technical and Equipment Consultation
Section titled “Technical and Equipment Consultation”Advice on choosing gear and setting up a home studio.
Typical Questions We Answer
Section titled “Typical Questions We Answer”- What microphone should I buy for my voice/instrument?
- What headphones are best for mixing?
- Is my interface good enough, or should I upgrade?
- How should I set up my room so recordings sound better?
- Which DAW should I choose?
- Do I need monitors, or are headphones sufficient?
How It Works
Section titled “How It Works”- Assessment — your goals, budget, current gear
- Room analysis (optionally remote via photos/video)
- Recommendations — specific models, retailers, purchasing priorities
- Action plan — what to do now, what to do later, what to avoid
The Result
Section titled “The Result”You walk away with:
- A shopping list with links
- A wiring diagram
- Basic DAW settings
- Context — why these choices and not others
Recording Training
Section titled “Recording Training”Hands-on training in the recording process — from theory to running your own session.
Training Modules
Section titled “Training Modules”Module 1: Acoustics Fundamentals
- How sound works (frequency, amplitude, phase)
- Room acoustics (reflections, standing waves, absorption)
- Why acoustics affect recording quality
Module 2: Microphones
- Microphone types (dynamic, condenser, ribbon)
- Polar patterns
- Matching the microphone to the source
- Microphone techniques (proximity, angle, stereo recording)
Module 3: Signal Chain
- Preamp, EQ, compressor, interface
- Gain staging — setting levels correctly
- Monitoring (headphones, studio playback)
Module 4: Working with a DAW
- Session preparation
- Multitrack recording
- Punch-in, loop recording
- File organization
Module 5: Running a Session
- Communication with the artist
- When to move on, when to redo a take
- Vocal comping
- Notes and markers
Module 6: Practice
- An independent recording session under the instructor’s guidance
- Feedback and debrief
Format
Section titled “Format”| Option | Duration | Scope |
|---|---|---|
| Intro | 2h | Modules 1-2 |
| Standard | 5h | Modules 1-5 |
| Full | 8h+ | All modules + practice |
Mix/Mastering Training
Section titled “Mix/Mastering Training”Audio post-production training — from the basics to advanced techniques.
Mixing Training
Section titled “Mixing Training”Day 1: Foundation
- Session organization, routing, groups
- Balance — setting levels before processing
- Panning — placing elements in the stereo field
Day 2: Processing
- EQ — corrective vs. creative, conflicting frequencies
- Compression — dynamics control, attack/release, ratio
- Saturation — analog “warmth,” harmonics
Day 3: Space
- Reverb — types, parameters, when to use it
- Delay — timing, feedback, filtering
- Depth — how to create 3D in stereo
Day 4: Finalization
- Automation — dynamic mixes, vocal rides
- Referencing — comparison with commercial tracks
- Export and preparation for mastering
Mastering Training
Section titled “Mastering Training”Session 1: Theory
- The purpose of mastering — what, why, when
- Loudness (LUFS, True Peak) and platform standards
- The mastering chain (EQ, compression, limiting)
Session 2: Practice
- Working on real mixes
- Comparing monitoring systems
- A/B testing before/after
Session 3: Quality Control
- Checking on different systems (headphones, phone, car)
- Metering and analysis
- Common mistakes and how to avoid them
DAW Training
Section titled “DAW Training”Training in a specific music production program.
Supported DAWs
Section titled “Supported DAWs”| DAW | Support Level | Who Is It For? | Instructor |
|---|---|---|---|
| Ableton Live | Advanced | Electronic producers, live acts | — |
| Logic Pro | Advanced | Producers, songwriters (Mac) | — |
| Pro Tools | Advanced | Engineers, studios, post-production | — |
| FL Studio | Intermediate | Beatmakers, hip-hop | Maks Jarczewski |
| Cubase | Intermediate | Composers, scoring | — |
| Reaper | Basic | Budget-friendly alternative | — |
Training Scope
Section titled “Training Scope”Basics (2h)
- Interface and navigation
- Creating a project
- Importing and exporting audio
- Basic editing
Recording (2h)
- Input/output configuration
- Low-latency monitoring
- MIDI and audio recording
- Punch-in, loop recording
Production (4h)
- Virtual instruments
- MIDI programming
- Sampling and chopping
- Automation
Mixing (4h)
- Routing and groups
- Inserts and sends
- Plugins (EQ, compression, effects)
- Bounce and export
Shortcuts and Workflow
Section titled “Shortcuts and Workflow”A large part of the training focuses on working efficiently:
- Keyboard shortcuts (they save hours)
- Session templates
- Macros and batch processing
- Organizing your plugin and sample library
Session Formats
Section titled “Session Formats”| Option | Description | Advantages |
|---|---|---|
| Individual | 1:1 with an instructor | Full personalization, your own pace |
| Group (2-4 people) | Small group | Lower price per person, discussion, networking |
| Online | Zoom/Discord + screen share | Convenience, no commute |
| In-studio | At the studio | Access to gear, better communication |
| Hybrid | Mix of online + in-studio | Theory remotely, practice in the studio |
Materials
Section titled “Materials”After training you receive:
- Notes with key takeaways
- A list of recommended resources (courses, YouTube channels, books)
- Session recording (if online)
- Project files for practice
Frequently Asked Questions
Section titled “Frequently Asked Questions”Do I need to have my own equipment?
Section titled “Do I need to have my own equipment?”No — for in-studio sessions we provide access to professional studio gear. You can also bring your own laptop and DAW so we can work in your environment.
What level do I need to get started?
Section titled “What level do I need to get started?”Any level at all. We adapt the program to your experience — from absolute beginner to advanced mixing and mastering techniques.
Can I learn using my own material?
Section titled “Can I learn using my own material?”Yes — that is the best way to learn. Working on your own recordings means the knowledge translates directly into practice.
Can sessions be held online?
Section titled “Can sessions be held online?”Yes — we conduct training via Zoom or Discord with screen sharing. For the hands-on portion (e.g., recording), it is worth doing that part in person at the studio.
For Whom?
Section titled “For Whom?”- Beginner producers — who want to start their music production journey on solid foundations
- Artists and vocalists — who want to better understand the studio process and collaborate with their engineer more effectively
- Producers and audio engineers — looking to develop in specific areas (mixing, mastering, DAW)
- Podcasters and content creators — who need knowledge of audio recording and processing
- Bands and companies — who want to train a group in the basics of recording or production