Recording & Production
Recording Sessions
Section titled “Recording Sessions”The recording process, seemingly simple and straightforward, has over the years revealed itself to be quite an art — full of fascinating nuances. Years of experience working with all kinds of artists have taught us a variety of recording techniques that combine attention to detail, openness to new ideas, and the ability to make the person behind the microphone feel comfortable in the booth.
Why record with an engineer?
Section titled “Why record with an engineer?”The main reason having an experienced engineer run the session is such a benefit for the performer is that you can focus entirely on getting the best possible sound out of your voice, instead of explaining to the person at the computer how they should execute your vision.
When recording a track, immersion is crucial — that is, moving forward smoothly through the creative process without being interrupted by long pauses to wrestle with basic tools.
The same applies during self-recording — artists too often have to break a good vocal streak to operate the recording software, which stops being a problem when you have a skilled engineer with a trained ear at the controls.
What do you gain?
Section titled “What do you gain?”- We know exactly when to give you space to perform an entire verse in one go and when to suggest recording line by line
- As your first listeners, we can objectively advise you which take is the masterpiece and when you’re capable of even more
- Vocal comping — the process of selecting the right fragments of each line to assemble a seamless whole that sounds natural and authentic
Our approach
Section titled “Our approach”Despite the commonly held image of a bored, introverted recording engineer, we strive to show everyone we work with that this profession can be carried out with spark and passion.
We keep an open mind toward new genres, we continually refine our craft, and we take proactive steps to look after our health so we can keep doing our best work for many years to come.
We believe new technology can generate a voice for a music track, but it will never replace the joy and satisfaction of stepping into a recording booth. It would be like watching football on TV replacing the fun of going out on the pitch yourself.
Voice-Over Recording
Section titled “Voice-Over Recording”Voice-over sessions require a different approach than music recordings. A voice-over artist does not improvise — they have a specific text to read, often with precise directions regarding pace, intonation, and emotion.
What makes voice-over recording unique
Section titled “What makes voice-over recording unique”- Background silence — voice-over recordings are far more sensitive to ambient noise than vocals layered with music. Our booth provides acoustic isolation that eliminates even the quietest disturbances
- Consistency — for longer texts (audiobooks, e-learning), maintaining a consistent tone throughout the session is essential. We monitor levels and vocal timbre
Applications
Section titled “Applications”- Radio and TV commercials
- Film and documentary voice-overs
- Audiobooks and podcasts
- E-learning materials
- IVR and telephone announcements
- Dubbing (see Specialized Services)
Recording Direction
Section titled “Recording Direction”A recording director is the person who guides the entire session from an artistic perspective. Unlike a technical engineer, the director focuses on interpretation, emotion, and the cohesion of the project.
When do you need a director?
Section titled “When do you need a director?”- When recording debut material — a director will help you find your artistic identity and avoid the typical mistakes beginners make
- For ambitious conceptual projects — narrative albums, multimedia projects, and soundtracks require a cohesive artistic vision
- When you need an objective opinion — a director knows when a take is good enough and when it’s worth trying again. They won’t let you settle for mediocrity, but they also won’t drag the session out endlessly
What does a director do?
Section titled “What does a director do?”- Establishes the session plan and recording order
- Gives specific guidance on interpretation (“this phrase should sound more intimate”, “add more energy here”)
- Decides which take is the best
- Ensures cohesion across the entire project — so that all tracks fit together stylistically
- Works alongside the technical engineer to achieve the intended result
Remote Recording
Section titled “Remote Recording”You don’t always have to come to the studio. We offer two remote options.
On-Location Recording
Section titled “On-Location Recording”We come to you with a mobile recording setup. This works well when:
- You’re recording in a specific location (church, warehouse, forest) for unique acoustics
- The artist cannot travel (health reasons, scheduling)
- You need to record multiple people in their natural environment (interviews, documentaries)
Our mobile kit includes: laptop with DAW, audio interface, microphones (condenser and dynamic), headphones, stands, and a portable acoustic booth (foldable).
Remote Session with an Engineer in the Studio
Section titled “Remote Session with an Engineer in the Studio”You’re at home or in another studio while our engineer works remotely via an audio/video link. Useful when:
- You have your own recording setup but need professional session direction
- You live far away and travel isn’t practical
- You want to work with a specific engineer from our team
Technical requirements: stable internet connection (min. 10 Mbps upload), headphones, microphone, DAW or audio streaming software (Source-Connect, Zoom, etc.).
Vocal Production
Section titled “Vocal Production”Vocal production is more than recording and mixing. It’s a creative process in which raw vocal material becomes a fully-fledged element of the track.
Stages of vocal production
Section titled “Stages of vocal production”- Recording — multiple takes, different interpretations, experiments with dynamics
- Comping — selecting the best fragments and assembling the ideal track
- Editing — timing correction, removing breaths and clicks, tuning if needed
- Layering — recording doubles, harmonies, ad-libs, vocal effects
- Processing — EQ, compression, spatial effects, signature treatments (delay throw, vocoder, formant shift)
Vocal production elements
Section titled “Vocal production elements”| Element | Description | When to use |
|---|---|---|
| Doubles | Doubling the main vocal line | Choruses, hooks, climactic moments |
| Harmonies | Tracks sung in thirds, fifths, or other intervals | Choruses, bridges, building tension |
| Ad-libs | Spontaneous interjections, shouts, reactions | Throughout the track for energy |
| Whisper track | Whispered layer underneath the lead vocal | Intimate moments, verses |
| Choirs | Multi-voice sections | Choruses, outros |
Music Production
Section titled “Music Production”We create music from scratch — from the first idea to the finished track.
What does the process look like?
Section titled “What does the process look like?”- Brief — we discuss your expectations, references, and the intended use of the music
- Sketch — we prepare a preliminary version (demo) for directional approval
- Production — we build out the arrangement, select sounds, and record instruments
- Mix and mastering — we finalize the track (see Mix & Mastering)
Genres
Section titled “Genres”We have experience producing:
- Hip-hop, trap, drill
- Pop, R&B
- Electronic (house, techno, ambient)
- Film and commercial music
- Rock and alternative (recordings with live instruments)
Production for video
Section titled “Production for video”We specialize in music synchronized with visuals:
- Music videos — music tailored to the script and edit
- Commercials — short forms (15s, 30s, 60s) with precise timing
- Films — soundtracks that support the narrative
- Games — loops and adaptive layers
Beat Production
Section titled “Beat Production”Beats are the foundation of modern hip-hop, pop, and R&B.
What do you get?
Section titled “What do you get?”- WAV/MP3 file of the beat for recording
- Stems (separate tracks: drums, bass, melodies, effects) for mixing
- Alternative versions (without the main melody, with a different drop, etc.)
How do we work?
Section titled “How do we work?”You can:
- Order a custom beat — describe your expectations and we’ll create a production made specifically for you
- Choose from our catalog — we have ready-made beats available for exclusive purchase or lease
- Co-create — bring your sketch and we’ll develop and professionalize it
Beat genres
Section titled “Beat genres”- Trap (hard trap, melodic trap, rage)
- Drill (UK drill, NY drill, Polish drill)
- Boom bap and old school
- Pop beats
- R&B and soul
- Lo-fi and chillhop
Covers with Video
Section titled “Covers with Video”Full cover production — from recording, through mixing, to the finished clip.
Scope of service
Section titled “Scope of service”- Pre-production — song selection, arrangement decisions (faithful to the original or a reinterpretation?)
- Recording — vocals, and optionally live instruments
- Production — preparing the backing track (custom arrangement or instrumental)
- Mix and mastering — professional post-production
- Video — in-studio recording, editing, color grading
Where to publish?
Section titled “Where to publish?”- YouTube — the most popular platform for covers
- Instagram Reels / TikTok — short clips for viral reach
- Spotify/Apple Music — covers can be legally distributed through services like DistroKid (mechanical license)
Sonic Branding
Section titled “Sonic Branding”Cohesive sonic identity for podcasts, YouTube channels, and brands.
Sonic branding elements
Section titled “Sonic branding elements”| Element | Description | Length |
|---|---|---|
| Intro | Opening theme for a show | 5-15 seconds |
| Outro | Closing theme | 10-30 seconds |
| Bumper | Short transitional sound | 2-5 seconds |
| Sting | Very short accent | <2 seconds |
| Bed music | Background music under narration | 30s - several minutes |
| Sound logo | Audio logo for a brand | 2-5 seconds |
Creation process
Section titled “Creation process”- Brand analysis — what tone? Professional, friendly, energetic, calm?
- References — which podcasts/channels do you like? What do you want to avoid?
- Proposals — we prepare 2-3 musical directions to choose from
- Production — we develop the chosen direction into a full package
- Delivery — files in ready-to-use formats (WAV, MP3)
Who is it for?
Section titled “Who is it for?”- Podcasters
- YouTubers
- Companies (brand sonic identity)
- Internet radio stations
- Apps and digital products
Frequently Asked Questions
Section titled “Frequently Asked Questions”How long does a typical recording session take?
Section titled “How long does a typical recording session take?”A standard session runs from 1 to 3 hours. When recording a full EP or album’s worth of material, it’s best to plan several sessions spread over time — a tired voice loses quality, and a fresh pair of ears catches nuances more effectively.
Can I record my own instruments?
Section titled “Can I record my own instruments?”Absolutely. We record guitars, bass, keyboards, and other acoustic and electric instruments. If you need drums recorded, we arrange those in partnership with external studios that have the appropriate space.
What should I prepare before my first session?
Section titled “What should I prepare before my first session?”Above all, know your lyrics and have a clear idea of your interpretation. It helps to have references — tracks that sound the way you’d like your material to sound. You’ll find a detailed guide in First Session — Guide.
Do you offer music production from scratch if I don’t have a beat yet?
Section titled “Do you offer music production from scratch if I don’t have a beat yet?”Yes. We can create a beat or full music production to order, tailored to your style and vision. You can also choose a ready-made beat from our catalog.
For Whom?
Section titled “For Whom?”- Vocalists and rappers — recording songs, singles, EPs, and albums with professional engineering
- Bands — multi-instrument recording sessions and full material production
- Podcasters and voice-over artists — voice-over, podcast, audiobook, and e-learning recordings
- Content creators — covers with video, sonic branding, jingles for YouTube and social media
- Companies and brands — sonic identity, commercial recordings, music for film productions